Experienced advice on getting hired as a comedy writer

Some time ago I ran an article about getting hired as a comedy writer. I asked if anyone had experienced advice to share with us and my not so subtle request reached one of my favorite writers in the comedy biz.

I’m happy to pass along his words of experienced wisdom.

Marc Jaffe is a stand-up comedian with numerous TV appearances, author (Sleeping With Your Gynecologist), playwright (Side Effects May Include…) and with his wife Karen founded Shaking With Laughter, an organization that helps support the Michael J. Fox Foundation for Parkinson’s research. In Fall 2017 Marc and Karen’s efforts will surpass the $1 million mark for funds raised.

Marc is also known to many of us as a writer for the legendary television sitcom Seinfeld.

So for some very worthwhile – and again, experienced – advice on writing for other comedians, here’s Marc…

Re: How to write for others.

Good advice given. For what it’s worth here are a few things I would add.

Tremendously important to have the voice of the person you are writing for as you said, but I would point out that often you’ll have a better chance of getting the comedian’s voice if you like their act, so go after people who make you laugh, not just any hot comedian.

The best time to get an opening if you haven’t been a hangout pal is when the comedian you want to write for is busy or in transition and are taking the next step. I approached Paul Reiser just as he was getting hot and was doing Tonight Shows and Letterman regularly. He wasn’t doing sets on those shows, he was already a name movie star, but he was a regular guest and didn’t have enough material to “waste” on panel on those shows. So he was happy to have someone work on new things for TV that wouldn’t eat up his club act.

Seinfeld needed someone because he got a TV show and I think he felt this was something new for him and he needed to find someone other than a friend to help him.

So, much like comedy, timing is everything. Timing and being funny and prolific. If you do stand-up, you know the percentage of stuff you write that actually works and stays in your act is minor – 10% would be great. You have to churn out a lot of stuff because that percentage will probably hold when you write for others.

Be honest with yourself as a comedian too. I always knew I was a much better writer than performer. If your act is working because you are a great performer who can get away with mediocre writing, don’t try to write for others. When I got the opportunity to write for top name guys, it was phenomenal because suddenly 20% of the stuff I was writing worked. That was because the people I was writing for could always make what I wrote better. They also had a higher standard than I had so that even though 20% worked, it was back down to 10% that made it, because it had to be killer.

Be ready before you seek out an opportunity. If you are good for that first guy, they will recommend you. Reiser recommended me to Seinfeld and then I got other jobs because Jerry’s management was happy with my work for Jerry and they had a roster of other great comedians that needed help at various times.

Also, one of the great things about being a writer is that you can just call yourself a writer. Go to the clubs and give comics a line or two after their show. If they like them, tell them you are a writer, and you’d be happy to submit some stuff to them if they need material.

You never know who has something going on and is in need of some quality help. Reiser did a guest set at a club I was at in Pittsburgh and I asked him afterwards if he needed any help on anything and he had a Letterman coming up that he was too busy to work on. I got the Seinfeld gig because I went up to Jerry after a show and asked if I could submit some stuff right at the time he was looking for someone on staff for his just picked up sitcom.

I gave him some great pages and he loved them. And got a good word from Reiser, but if I hadn’t approached Jerry, I would have never gotten the job.

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Thanks Marc. This is not only great advice, but also experienced advice. I’m sure everyone appreciates you sharing this. Now go get a real job… HA!! Okay, okay… I know… that just proves I won’t be writing comedy material for anyone in the near future.

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Thanks for reading and as always – keep laughing!

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